Taher JAOUI works and lives in Berlin, Germany

Represented by Opera Gallery (Dubai), Galerie Kremers (Berlin), Eve Leibe Gallery (London), Oliver Cole Gallery (Miami), Bivins Gallery (Dallas), Uncommon beauty Gallery (New York), Mika Gallery (New York/Tel Aviv), Graham Modern and Contemporary (Johannesburg), Jinsan Gallery (Seoul), Banzy Gallery (Beirut) and Smart BA Gallery (Buenos Aires).

Statement

Creating captivating and labor-intensive work with an idea of continuing the legacy of abstract expressionism movement from the 50s and 60s, Taher Jaoui's paintings are rich assemblages of layered forms, vibrant colors, expressive gestures, and mathematics signs and formulas. Applied on canvas through a dynamic interaction, a physical back and forth dialogue in which perspective and orientation continuously change until all the elements are balanced right, these opulent creations are the artist's personal way of expressing himself.

Through a series of spontaneous movements, directly inspired by the way canvas responds to layers of paint and gestures applied to it, Jaoui compares his work to a dance routine with a familiar partner. And while impulsive and unconstrained in its core, the familiarity with materials is essential for the creative process that strongly depends on the ability to respond quickly and foresee the way the elements will work together. Layering pastels, oils, and acrylics, the artist accents the richness of his work by constructing a raw texture which directly captures the physical energy put into each piece. Serving as a channel to convey his thoughts, emotions, and visions, the artistic practice is Jaoui's source of confidence and peace, while the finished work

becomes a documentation of the process of achieving those feelings.

Without any formal art education, his artistic practice is influenced by African primitive art, graffiti, glitch art, COBRA movement as well as the philosophy and attitude of post-war abstract expressionism. Varying from simple forms and patterns over familiar shapes that reminiscent of abstracted skulls, all the way to chalkboard-like scribble sections, the canvas surface becomes the workspace through which the artist exercises his ways of expression.

The concept of building something from a variety of singular elements is a direct result of computer science and engineering studies, parts of which are coming to life through abstract mathematics signs and formulas sometimes incorporated into Jaoui's entrancing compositions. This element, along with the spatial vision of the surface, once again makes a strong connection with early abstract expressionism concepts which considered ideas of quantum mechanics in their conceptualization.

Regularly working on a large scale, the works which are exclusively built in an automatic or subconscious manner, are actually demanding careful planning and utilization of space and materials. While balancing between his thoughts and feelings while creating, Jaoui's work carries that sense of rebellious, anarchic, highly idiosyncratic and, some might say nihilistic feel to it, yet still constructing an endless base for viewer-dependent interpretation and experience.

 

Selected exhibitions

Solo

> Graham Modern and Contemporary Gallery, Johannesburg, South Africa,  May 2019  > Jinsan Gallery, Seoul, Korea,  January 2019 > Ghaya Gallery, Tunis, Tunisia,  January 2018 > Untitled I at Galerie la Rotonde - Galerie la Rotonde, April 2017, Paris, France > Masques simulacres - Solo, Musk and Amber Gallery, September 2016, Tunis, Tunisia > Métamorphoses Collage- Solo, Gallerie les Insolites, Tangier, Morocco, November 2015 > Simulacrum - Solo. Atelier MilanaSmokvine, Rijeka, Croatia, February 2015

Group      

> An Atlantic Bridge BERLIN - USA, Galerie Kremers,  Berlin, Germany, May 2019 > Impossible Until it is Done, Opera Gallery,  Dubai, United Arab Emirates, April 2019 > Architectural Digest Show, Uncommon Beauty Gallery, New York, USA, March 2019  > Dystopia, Banzy Gallery, Beirut, Lebanon, February 2019 > Aqua art Fair, Uncommon Beauty Gallery, Miami, USA, December 2018 > Scope art Fair,  Azart Gallery, Miami, USA, December 2018 > Psychedelic Robot, Bivins Gallery, Dallas, Texas, USA, December 2018 > CONTEXT Miami art Fair, USA, December 2018 > Works on paper III
, Galerie Kremers,  Berlin, Germany, May 2019> Oliver Cole Gallery, Miami, USA, September 2018 > AAF art fair, Azart Gallery, New York, USA, September 2018 > Opera Gallery, Dubai, UAE, March 2018 > EMERGEAST Auction IV, Dubai, UAE, November 2017 > Bardo Exhibition. Aquabit Gallery, Berlin, Germany. April  2017 > Cutting Edge. CoGalleries, Berlin, Germany. February  2017 > Enter Art Foundation. Berlin, Germany. February  2017 > Edging. Ludwig Gallery, Berlin, Germany. August  2016 > Edging. Ludwig Gallery, Berlin, Germany. August  2016 > Dada 100 years after. Agora Gallery, Berlin, Germany. June  2016 > Let me be your Hero. Ghaya Gallery, Tunis, Tunisia. Janvier 2016 > Affordable art fair, Milan, Italy. March 2016 > Let me be your Hero. Ghaya Gallery, Tunis, Tunisia. Janvier 2016 > GlueHeads #3, Alternativ Gallery, Berlin, Germany, December 2015 > 30 days arround the world, The Ballery Gallery, Berlin, Germany, October 2015 > 48 Stunden Neukoelln, Studio 74, Berlin, Germany, June 2015 > Can’t judge a book by its cover, Maison de l’image, Tunis, Tunisia, May 2015 > Artists from Berlin, Chef d’oeuvre, Tokyo, Japan, May 2015 > Finders Keepers, Art Share LA Los Angeles, USA, March 2015 > Simulacrum Collage Solo collages exhibition, Atelier MilanaSmokvine, Rijeka, Croatia, February 2015 > GlueHeads #1, Alternativ Gallery, Berlin, Germany, January 2015 > Mini-prints, Heiki Arndt DK Gallery, Berlin, Germany, November 2014 - March 2015

Education 

Paris-Sorbonne University 2007

© 2016 

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